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From The Cherry Orchard to The Autumm Garden: chekhovian overtones in Lillian Hellman, mimesis and innovation

dc.contributor.authorGonzález Crespán, Maria Araceli 
dc.date.accessioned2024-06-13T08:47:57Z
dc.date.available2024-06-13T08:47:57Z
dc.date.issued1999-05-21
dc.identifier.citationBabel. Afial, (8): 35-52 (1999)spa
dc.identifier.issn26604906
dc.identifier.urihttp://hdl.handle.net/11093/7039
dc.language.isoengspa
dc.publisherBabel. Afialspa
dc.rightsATTRIBUTION-NONCOMMERCIAL-NODERIVS 4.0 INTERNATIONAL
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.titleFrom The Cherry Orchard to The Autumm Garden: chekhovian overtones in Lillian Hellman, mimesis and innovationen
dc.typearticlespa
dc.rights.accessRightsopenAccessspa
dc.identifier.editorhttps://revistas.uvigo.es/index.php/AFIAL/issue/view/22spa
dc.publisher.departamentoFiloloxía inglesa, francesa e alemáspa
dc.publisher.grupoinvestigacionNegociacións Textuais e Culturais no Ámbito Anglófonospa
dc.subject.unesco6202.02 Análisis Literariospa
dc.date.updated2024-05-03T09:05:31Z
dc.computerCitationpub_title=Babel. Afial|volume=|journal_number=8|start_pag=35|end_pag=52spa


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    ATTRIBUTION-NONCOMMERCIAL-NODERIVS 4.0 INTERNATIONAL
    Except where otherwise noted, this item's license is described as ATTRIBUTION-NONCOMMERCIAL-NODERIVS 4.0 INTERNATIONAL